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	<title>Comments on: Memory Cards and Adoption Papers</title>
	<atom:link href="http://www.constantcritic.com/jordan_davis/memory_cards_and_adoption_papers/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.constantcritic.com/jordan_davis/memory_cards_and_adoption_papers/</link>
	<description>Timely poetry reviews</description>
	<lastBuildDate>Fri, 03 Feb 2012 01:37:06 +0000</lastBuildDate>
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		<title>By: tom thompson</title>
		<link>http://www.constantcritic.com/jordan_davis/memory_cards_and_adoption_papers/comment-page-1/#comment-13</link>
		<dc:creator>tom thompson</dc:creator>
		<pubDate>Mon, 10 Feb 2003 14:49:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.constantcritic.test/jordan_davis/memory_cards_and_adoption_papers#comment-13</guid>
		<description>To my dear not quite dead yet Sorrentino Ghost:&lt;br&gt;
&lt;br&gt;
Ole!&lt;br&gt;
&lt;br&gt;
Over-ebullient, perhaps. Myopic, indeed. &quot;Offensively bourgeois&quot;? OK. There are lots of ways one gets attached to the world; this is obvious. That a young parent emerges from the nursery with babies in his eyes--babies, babies, everywhere he looks!--is not I think something that would worry Marx too much.&lt;br&gt;
&lt;br&gt;
An amendment:&lt;br&gt;
&lt;br&gt;
&quot;And a keelson of the creation is love.&quot; So testifies Whitman. Better, hm? Why yes.&lt;br&gt;
&lt;br&gt;
Biographically yours,&lt;br&gt;
&lt;br&gt;
the alleged&lt;br&gt;
</description>
		<content:encoded><![CDATA[<p>To my dear not quite dead yet Sorrentino Ghost:</p>
<p>Ole!</p>
<p>Over-ebullient, perhaps. Myopic, indeed. &#8220;Offensively bourgeois&#8221;? OK. There are lots of ways one gets attached to the world; this is obvious. That a young parent emerges from the nursery with babies in his eyes&#8211;babies, babies, everywhere he looks!&#8211;is not I think something that would worry Marx too much.</p>
<p>An amendment:</p>
<p>&#8220;And a keelson of the creation is love.&#8221; So testifies Whitman. Better, hm? Why yes.</p>
<p>Biographically yours,</p>
<p>the alleged</p>
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	<item>
		<title>By: Ghost of the Not Quite Dead Sorrentino</title>
		<link>http://www.constantcritic.com/jordan_davis/memory_cards_and_adoption_papers/comment-page-1/#comment-12</link>
		<dc:creator>Ghost of the Not Quite Dead Sorrentino</dc:creator>
		<pubDate>Tue, 04 Feb 2003 08:23:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.constantcritic.test/jordan_davis/memory_cards_and_adoption_papers#comment-12</guid>
		<description>Since I&#039;m just lurking around reading all of this I&#039;d like to comment not only on &#039;the suprise ending&#039; of the review but on the review of the review by someone allegedly named tom thompson... tom, dear man, friend of language poets everywhere, are you serious? Am I reading People magazine or are we discussing poetry? Having babies isn&#039;t going to make anyone a better, more socially responsible person, and it certainly won&#039;t advance anyone as a poet (except, perhaps, at dinner parties.) This is an offensively bourgeoise idea if there ever was one.&lt;br&gt;
&lt;br&gt;
POETRY, THE APOGEE OF THE ARTS&lt;br&gt;
TESTIFY!</description>
		<content:encoded><![CDATA[<p>Since I&#8217;m just lurking around reading all of this I&#8217;d like to comment not only on &#8216;the suprise ending&#8217; of the review but on the review of the review by someone allegedly named tom thompson&#8230; tom, dear man, friend of language poets everywhere, are you serious? Am I reading People magazine or are we discussing poetry? Having babies isn&#8217;t going to make anyone a better, more socially responsible person, and it certainly won&#8217;t advance anyone as a poet (except, perhaps, at dinner parties.) This is an offensively bourgeoise idea if there ever was one.</p>
<p>POETRY, THE APOGEE OF THE ARTS<br />
TESTIFY!</p>
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		<title>By: Tom Thompson</title>
		<link>http://www.constantcritic.com/jordan_davis/memory_cards_and_adoption_papers/comment-page-1/#comment-11</link>
		<dc:creator>Tom Thompson</dc:creator>
		<pubDate>Mon, 06 Jan 2003 20:18:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.constantcritic.test/jordan_davis/memory_cards_and_adoption_papers#comment-11</guid>
		<description>Well, that last paragraph kinda gets popped on you, there, like the end of a mystery novel where it wasn&#039;t the butler did it after all, but Clarice the neighbor (who doesn&#039;t appear in the book until the last page). I read an implicit intra-generational sweep of the paw in the implication that Schultz&#039; first book was brilliantly pre-occupied with fragmentary pyrotechnics of wit, but that we want that AND more. Is this a statement we can carry to broader regions? Something&#039;s going on in the land Ron Silliman calls &quot;post-avant.&quot;  There&#039;s a generation of poets whose first books dazzle in bits and pieces, but recent appearances in journals suggest a horizon newly staked with attachment points, somethings &quot;worth attending to&quot; (in Davis&#039; smart, clear phrasing). This is the way Ron Silliman thinks another post-avant, Jennifer Moxley, is pointing (he cited her recently on his blog  http://ronsilliman.blogspot.com).  If you doubt something&#039;s turning, see the freak-out that Silliman&#039;s appreciation of Moxley (and her apparently new-found penchant for straight-talk) caused on the Buffalo Poetics List. I don&#039;t know the link, but you can get the gist at Silliman&#039;s blog. And now, as Rebecca Wolff points out in preface to the most recent Fence, babies are busting out all over: be it with Susan Schultz or countless others coming of age. Nothing disjoints consciousness like a newborn; and nothing makes you so simultaneously long for and realize a joining. A post-langPo generation that dazzled with syntactical disjunction (yes, beautiful, but...) is coming out with work that attaches at the body familial (see Rachel Zucker&#039;s poems rife with the rips and ties implicit in young parenthood -- appearing now from Colorado Review to Pleiades, and forthcoming in book form from Wesleyan).  I haven&#039;t read Gabriel Gudding&#039;s book but a look at the review on constantcritic makes me wonder what next for an auto-arse-admiring poet who has a young child (as Gudding does, I think). Will Gudding&#039;s child demand entry into so frantically self-smart and auto-erotic a poetry? Should s/he? My two young sons are nodding their heads, vigorously; but like I usually do with them, I say, &quot;OK, guys, but gimmee a minute here, I&#039;ve got to think about this.&quot; And while I&#039;m thinking they run out into the street or wherever and the time for thinking is done. So then: a generation so intent on its (our) own navel is now squinching through oomphalos and out the other side? with skills sharpened to a steely new glint by attachment? Or is it merely narcissism + one? I think it&#039;s a different animal than narcissism -- very different -- but also think it a question worth raising in broader context for this promising generation that includes Schultz and, for that matter, Davis himself... </description>
		<content:encoded><![CDATA[<p>Well, that last paragraph kinda gets popped on you, there, like the end of a mystery novel where it wasn&#8217;t the butler did it after all, but Clarice the neighbor (who doesn&#8217;t appear in the book until the last page). I read an implicit intra-generational sweep of the paw in the implication that Schultz&#8217; first book was brilliantly pre-occupied with fragmentary pyrotechnics of wit, but that we want that AND more. Is this a statement we can carry to broader regions? Something&#8217;s going on in the land Ron Silliman calls &#8220;post-avant.&#8221;  There&#8217;s a generation of poets whose first books dazzle in bits and pieces, but recent appearances in journals suggest a horizon newly staked with attachment points, somethings &#8220;worth attending to&#8221; (in Davis&#8217; smart, clear phrasing). This is the way Ron Silliman thinks another post-avant, Jennifer Moxley, is pointing (he cited her recently on his blog  <a href="http://ronsilliman.blogspot.com" rel="nofollow">http://ronsilliman.blogspot.com</a>).  If you doubt something&#8217;s turning, see the freak-out that Silliman&#8217;s appreciation of Moxley (and her apparently new-found penchant for straight-talk) caused on the Buffalo Poetics List. I don&#8217;t know the link, but you can get the gist at Silliman&#8217;s blog. And now, as Rebecca Wolff points out in preface to the most recent Fence, babies are busting out all over: be it with Susan Schultz or countless others coming of age. Nothing disjoints consciousness like a newborn; and nothing makes you so simultaneously long for and realize a joining. A post-langPo generation that dazzled with syntactical disjunction (yes, beautiful, but&#8230;) is coming out with work that attaches at the body familial (see Rachel Zucker&#8217;s poems rife with the rips and ties implicit in young parenthood &#8212; appearing now from Colorado Review to Pleiades, and forthcoming in book form from Wesleyan).  I haven&#8217;t read Gabriel Gudding&#8217;s book but a look at the review on constantcritic makes me wonder what next for an auto-arse-admiring poet who has a young child (as Gudding does, I think). Will Gudding&#8217;s child demand entry into so frantically self-smart and auto-erotic a poetry? Should s/he? My two young sons are nodding their heads, vigorously; but like I usually do with them, I say, &#8220;OK, guys, but gimmee a minute here, I&#8217;ve got to think about this.&#8221; And while I&#8217;m thinking they run out into the street or wherever and the time for thinking is done. So then: a generation so intent on its (our) own navel is now squinching through oomphalos and out the other side? with skills sharpened to a steely new glint by attachment? Or is it merely narcissism + one? I think it&#8217;s a different animal than narcissism &#8212; very different &#8212; but also think it a question worth raising in broader context for this promising generation that includes Schultz and, for that matter, Davis himself&#8230;</p>
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