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	<title>Comments on: Extemporalis on the New Masculinist Lyric: In which will be discussed Douglas Kearney’s The Black Automaton (Fence 2009), James Wagner’s Geisttraum (Esther Press 2010), and Steven Zultanski’s Pad (Make Now Press 2010).</title>
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	<description>Timely poetry reviews</description>
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		<title>By: Constant Critic &#124; &#124; Hi-Density Politics</title>
		<link>http://www.constantcritic.com/vanessa_place/extemporalis-on-the-new-masculinist-lyric-in-which-will-be-discussed-douglas-kearney%e2%80%99s-the-black-automaton-fence-2009-james-wagner%e2%80%99s-geisttraum-esther-press-2010-and-steven-zult/comment-page-1/#comment-114050</link>
		<dc:creator>Constant Critic &#124; &#124; Hi-Density Politics</dc:creator>
		<pubDate>Mon, 14 Mar 2011 18:52:14 +0000</pubDate>
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		<description>[...] I can’t help but read Hi-Density Politics in a &#8220;new masculinist lyric&#8221; light. In her review of three male poets back on April 10th for the Constant Critic, Vanessa Place characterizes this emergent poetics: &#8220;the new masculinist lyric is a gesture [...]</description>
		<content:encoded><![CDATA[<p>[...] I can’t help but read Hi-Density Politics in a &#8220;new masculinist lyric&#8221; light. In her review of three male poets back on April 10th for the Constant Critic, Vanessa Place characterizes this emergent poetics: &#8220;the new masculinist lyric is a gesture [...]</p>
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